The conch has three sectors each displaying crossed palm branches, a wreath and arrows. A list of relics here is given as follows: A spine from the Crown of Thorns; a finger, a tooth and part of a rib of St Peter; a tooth of St Paul; an arm of St Andrew; part of the head and an arm of St Fabian, with other bits in a lead casket; the head of Pope St Callixtus; the head of Pope St Stephen I; an arm of St Roch; parts of the heads of SS Nereus and Achilleus; relics of SS Valentine, Lucina and "Avenistus" (? Across the road is a monument in the form of a free-standing Corinthian column in grey granite, erected by Pope Pius IX in 1852. The dedication is to St Sebastian, a 3rd century Roman martyr, (Catacombs of Rome is a general introduction to Rome's catacombs on this Wiki.). However the San Callisto catacomb is shut on Wednesdays, and apparently this driveway is too. The outer two are pink, as are two more at the ends of the arcade which are twinned with engaged piers in the same style. This is neglected, and is easy to miss. The decoration of each sector alternates, with either a star within an octagon with crossed lilies below and a scallop shell above, or a Chi-rho within a tondo with crossed palms below and above. The basilica is open (tourist website 060608, May 2018): You are not allowed to visit if there is a Mass being celebrated in the body of the church (unless you wish to attend the Mass, of course), but you can if the Mass is in the Albani Chapel. Figurative fresco decoration is also discernible, but not enough to make out the scenes. Over the door is a fresco showing The Penitent St Jerome. Unfortunately the gate is usually kept locked, so you may have to content yourself with peering through them. Back then, the parish territory was enormous and very thinly populated. Where you would expect the tabernacle there is a shrine containing the pope's skull, with an oval bronze door. info@sansebastianofuorilemura.org Tel: 06 780 8847. The excavation did not find an original façade wall, and this reinforced a doubt as to whether circiform basilicas were originally fully roofed so as to form churches. The sumptuous polychrome marble and bronze altar is above the shrine, facing out in the nave, and bears an epigraph on a plaque of lapis lazuli which reads: Sebastiano, Christi militi et martyri, ecclesiae defensori, propulsori pestilitatis ("To Sebastian, the soldier of Christ and martyr, defender of the Church and expeller of bubonic plague"). A rose garden that he established here became internationally famous, and he donated a noted library to the monastery when he died in 1711. These windows sit on a low attic plinth with four wide posts and a little recessed panel below each window, and are separated by four pairs of blind pilasters which are connected by an architrave running below the cornice of the crowning pediment (there is no proper entablature here). here was a great basilica built in the early 4th century over all the structures mentioned above. It's not much from the outside but is attractive inside and houses some relics associated with St Sebastian, including an arrow he was allegedly shot … Above the door is a mediaeval epigraph provided with a Baroque frame. Above is a little white marble tabernacle by Mino da Fiesole, 15th century. The Cistercian monastery reached its apotheosis when it became the Generalate of the entire Order in 1699 under Cardinal Giovanni Maria Gabrielli as Abbot General. Requiescat in pace, rosarum amator. Albani chapel. Tutte le informazioni sul Santuario Basilica di San Sebastiano fuori le mura a Roma. The church was formerly regarded as the Roman seat of the Latin Patriarchate of Jerusalem. The trapezoidal portico on the east side was more substantial -the so-called Triclia (so-called because it is thought to have been the setting for funerary banquets), and this also had figurative frescoes. The wall in which the arch is set is actually a screen, and has sunken panels imitating the arrangement in the counterfaçade. However documentary evidence is lacking, and later tradition attributed the foundation to Pope St Damasus (366-84) who composed epitaphs for the catacomb here. This error persisted until the late 19th century. The crowning triangular pediment contains the coat-of-arms of Pope Paul V, embellished with fluttering ribbons and flanked by two stumpy pairs of the blind pilasters. By then, vineyards had been laid out along the Via Appia as far as the basilica. Church of San Sebastiano (basilica) front. Built: The complex was put in the charge of monks called Cistercensi Riformati, but the abbacy of the monastery was filled by a cardinal protector (note that the church was not then titular). If so, it is pretty certain that they were pillaged from an ancient edifice somewhere. To the east is a little car park, and you can see here that the east-facing wall of the monastery contains opus vittatum or bands of brick interspersed with blocks of ashlar. ); an arrow shot at St Sebastian and part of the column to which he was tied when used for archery practice. This is obviously as a result of the Franciscans taking over the administration of the basilica. It is not particularly recommended that you try to walk this road to imitate them nowadays, unless you are serious about the Seven Churches as a penitential exercise. Review of Basilica San Sebastiano Fuori le Mura. There is a mid 7th century reference to the ecclesia Sancti Sebastiani, which is the earliest evidence for the change of name from the Basilica Apostolorum. Ponzio was assisted by Giacomo Mola in the execution of the project. Unfortunately Ponzio fell ill in 1612, and died in the following year. The guide will point out the many graffiti on the surviving red plaster surfaces in the triclia, which are in Greek, Latin and Aramaic or Syriac. San Sebastiano fuori le mura, conhecida como Basílica de São Sebastião das Catacumbas ou São Sebastião fora dos Muros, é uma igreja de Roma, no quartiere Ardeatino, na Via Ápia. The church frontage featured an external loggia with a single-pitched tiled roof, supported by an entablature and six columns forming five portals. The aedicule has two ancient Composite columns described as being of pavonazzetto marble from Africa, bearing posts in yellow Siena marble which themselves support a segmental pediment with its central section removed. Padre Carlo D'Andrea, una vita accanto alla gente e ai poveri – Romasette.it. Se prenoti con Tripadvisor, puoi cancellare fino a 24 ore prima del tour e ricevere un rimborso completo. Find all the transport options for your trip from Sorrento to San Sebastiano fuori le mura right here. This storey is also framed by a pair of blind corner pilasters. An attractive character, he loved growing roses and was very fond of the basilica. Note the plinth in red marble, which imitates an ancient Roman fashion for using porphyry in this way. Not even Old St Peter's seems to have had an altar before the end of the 6th century. Storia, orari e curiosità per organizzare al meglio la propria visita. Sie ist außerdem Pfarrkirche. As a result, the Church undertook a campaign of bringing all the venerated relics of martyrs within the city walls, where they were re-enshrined in the various churches. One of these edifices had a plan shaped like a keyhole, the other like a Greek cross. 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